top of page
Copy of NESR 10 INSTRUCTORS.png

 

Ellis Paul:

(Permanent staff)
NESR Founder & Host
Songwriting Instructor​

Ellis Paul Bio:
Ellis Paul doesn’t just write songs; he’s a guitar-carrying reporter who covers the human condition and details the hopes, loves, and losses of those he observes. He turns their stories into luminous pieces of music that get under your skin and into your bloodstream. And much like the artists who have influenced him (everyone from Joni Mitchell, Bob Dylan and Paul Simon to the singer-songwriter who is undoubtedly his greatest inspiration, Woody Guthrie), Paul weaves deeply personal experiences with social issues and renders them as provocative works that are as timely as they are timeless. Born and raised in Maine, Paul attended Boston College on a track scholarship and in the evenings became a fixture on the city’s open mic circuit. After winning a Boston Acoustic Underground songwriter competition, he caught the ear of folk luminary Bill Morrissey, who produced his indie album Say Something in 1993. This led to a seven album contract with Rounder Records and the 1994 album, Stories. His songs have appeared in several blockbuster films (Me Myself and Irene, Shallow Hal, Hall Pass) and have been covered by award-winning country artists (Sugarland, Kristian Bush, Jack Ingram). Through a steady succession of albums of his own—a remarkable 23 releases so far—and a constant touring presence around the world, Paul’s audience has grown into a loyal legion of fans. Along the way, he has picked up an impressive number of awards including the prestigious Kerrville New Folk Award, 15 Boston Music Awards, An Honorary Doctorate from the University of Maine, the 2019 International Acoustic Music Awards Artist of the Year and most recently his album, The Storyteller’s Suitcase, was named the 2019 NERFA Album of the Year. His new album “55” touches on the necessity of gratitude in a difficult era of the pandemic and divided political stances on his own imprint, Rosella Records. He is the Founder and Co-Host of the New England Songwriters Retreat. ellispaul.com

Songwriting Course #1—ELLIS PAUL
"The Thermodynamics of the Snow Globe"


A truly great song pulls the listener into the songwriter’s creation, their world, their emotions. It triggers the listener’s own sense of creativity, as they find their own story in yours. You pull them inside a snow globe that you have have created, and a song becomes an important part of their lives. It becomes their song as much as yours. When you write a song that vividly captures a moment, you can capture a listener for life.

But how do we make that happen?

Thermodynamics is the study of heat, work, and energy. I like that.

 

Let's work on your song—beyond the lyric, melody and chords. Let's decide where we can put in extra energy, to heat your song up!

This class is not about thermodynamics. But it IS about dynamics, as well as editing, and performance—the often-overlooked elements beyond lyric, melody, and chords.

We tend to think of songwriting as adding things: another line, verse, chord, melody, or hook. But great songwriting is just as much about deciding what to leave out, what to reveal, what to repeat, what to emphasize, and when to let the song breathe.

Dynamics aren't simply volume. They are tension and release, time shifts, exploration of space, modulation, and more. They determine whether or not a listener leans in, relaxes, laughs, hurts, or suddenly feels that the song emotionally resonates.

A good band can do this naturally, weaving in and out of the song, but a solo performer must consciously make some arrangement choices, and intentionally author their dynamics.

Lyrics, chords, and melody are the foundation of the architecture you are building. Dynamics are the details—the things people feel more than see or hear. Despite their subtlety, they are the key to triggering emotional responses.

We will review the editing process, and illustrate how edits, even small ones, can completely transform the impact of a song.

Let’s draw the audience into the snow globe of your song—and shake it up, baby!

Laurie MacAllister:

(Permanent staff)
NESR Retreat Coordinator & Co-Host

Performance Instructor

Laurie MacAllister Bio:​
Affectionately dubbed "Mama Bear" by NESR IV Students, Laurie handles the logistical aspects of NESR Online. Ask her anything—she's happy to help: newenglandsongwritersretreat@gmail.com. In late 2024, Laurie MacAllister embarked on an exciting new chapter, launching a solo career with a sold-out performance at the legendary Club Passim. Two decades earlier, she co-founded the beloved Americana trio Red Molly, which released seven acclaimed albums and toured both the U.S. and internationally, including appearances at MerleFest, Cayamo, and Boston Symphony Hall. Along the way, ad executives heard Laurie’s voice on the Red Molly album “Never Been to Vegas” and invited her to sing the iconic Folgers Coffee jingle for a national TV commercial. Her 2018 self-produced solo album "The Lies the Poets Tell" is a heartfelt tribute to the contemporary folk music scene, celebrating a handful of its best songs and songwriters. It features duets with six male artists, including the late Americana master Jimmy LaFave. SiriusXM praised the album as “Defining. A curated collection packed with emotional vibrancy.” Laurie’s earlier solo album "The Things I Choose To Do” was produced by folk luminary Cliff Eberhardt and was first released independently. Hearing it, Barnes & Noble re-released it as an exclusive on their label, saying, "MacAllister wholly inhabits these songs as subtly as a chameleon, convincingly taking on the persona's skin, quite simply singing her heart out.” From a young girl with a quiet dream of becoming a singer, Laurie’s journey has unfolded one song at a time. Over more than two decades, she’s made her dream into a reality. Laurie is in the studio in 2026, recording her next solo album, to be released in 2027.  She’s headlining a limited number of solo concerts across the Northeast, bringing her soulful, loving voice and presence to fans old and new. She’s also doing a number of special shows in Fall 2026 as co-bills with acclaimed singer/songwriter Seth Glier. lauriemacallister.net​​

Performance Workshop—SETH GLIER & LAURIE MACALLISTER:

"Make Them Feel Something—The Art of Live Performance"


The most powerful live performances aren’t just heard—they’re felt. In this class, we’ll explore what makes a live performance authentic, compelling, and unforgettable.Whether you’re an experienced performer or just beginning to step onto the stage, this class will help you connect more deeply with your material, your audience, and yourself. We’ll explore the essential ingredients of a powerful live performance, including:
 

• Authenticity: How to inhabit a song so that your performance feels genuine, believable, and emotionally connected.

• Audience connection: How to create a sense of intimacy and communication with the people in the room.

• Stage presence: How your body, voice, energy, movement, and stillness can all contribute to the story you’re telling.

• Storytelling: How to make the audience care about what you’re performing and take them on a journey with you.

• Phrasing, dynamics, and musical choices: How intentional variation can create surprise, tension, emotion, and impact.

• Dealing with stage fright: Understanding what happens when nerves take over—and practical ways to move through them, so you can stay present and perform at your best.

• Creative risk-taking: How making unexpected choices can bring greater personality, spontaneity, and spark to a performance.

• Practice and preparation: How to prepare thoroughly, while still leaving room for the magic and unpredictability of a live performance.


We’ll demonstrate concepts throughout the class, using live examples to explore what makes a performance connect. A few students will volunteer to perform for the group and will receive supportive, constructive feedback. This will be a warm, encouraging, judgment-free environment where experimentation is welcome and growth is the goal. You’ll leave with practical tools, more confidence, and a deeper understanding of how to make your next live performance more honest, engaging, and memorable.

 

​​​

​​​​​​​

Seth Glier:

(Permanent staff)

"Director of Human Resources"

Performance Instructor

Seth Glier Bio:

The earth speaks to us in a myriad of ways — through ice cores, through uplift and erosion, through tree rings — languages we have the potential to restore our literacy in. Reconnecting with these quiet messages has set Seth Glier, an avid mushroom forager and a Grammy-nominated artist from Western Massachusetts, on a path of channeling nature’s longing for communion with humanity into song. His new album Everything is a collection of eight songs inviting us to imagine a future in which humans and the planet are re-aligned into mutual restoration. Each song presents a practical climate solution with concrete optimism.“What if this is the beginning, not the beginning of the end,” the album opens with bristling energy and hope on “Rise,” an anthem about rewilding. “Finally Home” is a celebration of regenerative farming with driving doo wop vocal harmony. “Mammoth,” written from the perspective of a wooly mammoth being brought back to life from frozen DNA, invites us to consider the blip of human history against billions of years of evolution. The album’s guest stars Crys Matthews, Hayley Reardon, and Windborne elevate the record with surprise from the stark choir arrangement of “Birches” recorded a capella in an old church to “My Body Remembers,” a flowing meditation on the transmission of healing, EMDR & The Language of Trees. The album’s title track was inspired by an experience Seth had while foraging. “When I picked up the chantarelle mushroom and brought it towards my nose I first smelled sweet apricot and then my spine straightened suddenly. The feeling was like déjà vu. It was a first time, yet somewhere inside of me I had done this once before. I was reconnecting to a knowledge I had already known.” The album is an acknowledgement of the sacred connections that exist between all living things and is an active questioning of what might be possible collectively. Everything is a reminder that the future is something we always have an influence over. Seth’s gifts are an innate curiosity and a fierce desire to connect with other people. His musical acumen provides him with a vehicle for both. He was worked as a cultural diplomat for the US State Department and collaborated with musicians in Ukraine, Mongolia, China, and Mexico. Seth has shared the bill with a diverse list of artists ranging from the likes of Ronnie Spector, James Taylor, Ani DiFranco, & Glen Campbell. As a producer, music director, or studio musician he has collaborated with Sophie B. Hawkins, Tom Rush, Antje Duvekot, Richard Shindell, Doctora Qingona, Dar Williams, Nick Carter, & Cyndi Lauper. Seth is a five-time Independent Music Award winner and received a Grammy nomination for his album The Next Right Thing. With a commitment to using songwriting as a tool for positive change, he has written with the students in Parkland, FL for the “Parkland Project,” cowritten with soldiers at Walter Reed, and is an advocate for autism awareness citing his autistic brother Jamie as his greatest non-musical-musical influence. sethglier.com

​​

Performance Workshop—SETH GLIER & LAURIE MACALLISTER:

"Make Them Feel Something—The Art of Live Performance"


The most powerful live performances aren’t just heard—they’re felt. In this class, we’ll explore what makes a live performance authentic, compelling, and unforgettable.Whether you’re an experienced performer or just beginning to step onto the stage, this class will help you connect more deeply with your material, your audience, and yourself. We’ll explore the essential ingredients of a powerful live performance, including:
 

• Authenticity: How to inhabit a song so that your performance feels genuine, believable, and emotionally connected.

• Audience connection: How to create a sense of intimacy and communication with the people in the room.

• Stage presence: How your body, voice, energy, movement, and stillness can all contribute to the story you’re telling.

• Storytelling: How to make the audience care about what you’re performing and take them on a journey with you.

• Phrasing, dynamics, and musical choices: How intentional variation can create surprise, tension, emotion, and impact.

• Dealing with stage fright: Understanding what happens when nerves take over—and practical ways to move through them, so you can stay present and perform at your best.

• Creative risk-taking: How making unexpected choices can bring greater personality, spontaneity, and spark to a performance.

• Practice and preparation: How to prepare thoroughly, while still leaving room for the magic and unpredictability of a live performance.


We’ll demonstrate concepts throughout the class, using live examples to explore what makes a performance connect. A few students will volunteer to perform for the group and will receive supportive, constructive feedback. This will be a warm, encouraging, judgment-free environment where experimentation is welcome and growth is the goal. You’ll leave with practical tools, more confidence, and a deeper understanding of how to make your next live performance more honest, engaging, and memorable.

​​

​​

Dan Bern:

Songwriting Instructor

Dan Bern Bio:

If you must put him in a box, make sure it’s a big box! Undefinable by genre, crossing over and through folk, rock, singer-songwriter, and kids music, Dan Bern is a captivating live performer with a loyal, multi-generational following. He has written thousands of songs, released dozens of albums, and played shows across North America and Europe–from coffee shops to Carnegie Hall,  and he most recently opened for The Who and Roger Daltrey.

Dan’s songs have appeared in numerous films (“Walk Hard: The Dewey Cox Story” “Get Him to the Greek” “The Bubble” “Zero Effect”) and TV shows (Amazon Prime’s award-winning kids program “The Stinky & Dirty Show”). 

 

A rare, and true renaissance artist, Dan is the author of several books, is a prolific painter, has his own podcast, and internet radio station. During Covid, his online “Hunkered in the Bunker” shows developed their own passionate community of followers. His topical sports songs are regularly featured on “The Tony Kornheiser Show.”​ www.danbern.com

 

Songwriting Course #2—DAN BERN
“It’s a Workshop—Get Ready to Play"

 

To describe his class this year, Mr. Bern wrote and sent a song!

 

LISTEN TO THE SONG HERE: "It's a Workshop" by Dan Bern


It’s a Workshop

© 2026 Dan Bern

 

It’s a workshop

Get ready to play

Pencils sharp
Instruments, too
Stretch out your neck
Bring your weaving loom

It’s a workshop!
Get ready to play

Stretch out your brain
Maybe bang a spoon

Just like a bird
Sing a pretty tune

It’s a workshop!
Get ready to play

​​​

Garrison Starr:

Songwriting Instructor

 

Garrison Starr Bio:

“A Lucinda Williams for Gen X’ers.” —NPR

 

“One of the strongest voices in town. She is also the author of affecting, emotion-bearing songs that are clothed in attractive, melodic garb.” —Billboard

 

Garrison Starr is the quintessential musical triple-threat, singer, songwriter, Grammy-nominated record producer, and her soon-to-be-released latest full-length album, Garrison Starr and The Gospel Truth, reveals her at the height of her powers. 

 

Starr calls the new collection of songs, “Swamp Gospel Hymns for Humans,” the next chapter in her story of recovery and healing from her Evangelical Christian upbringing. Her previous album, "Girl I Used To Be,” released during the pandemic in March 2021, launched her exploration of deconstruction on the path towards self-love and forgiveness.

 

“Girl I Used To Be” is the story of saying goodbye to what was, and The Gospel Truth is the story of the journey over the bridge to freedom. 

 

Starr has been releasing singles from the new record over the last several months, following a number of TV placements on Monarch, Bull, and most recently, Walker: Independence, a consistent pattern for Starr throughout her remarkable career. 

 

Starr is a celebrated singer of such remarkable reputation that music icons go out of their way to praise her. Glen Phillips declares, “Garrison’s voice goes straight to the gut. She reminds you of what it means to be human.” Mary Chapin Carpenter adds, “She just writes and sings her heart out. In the American Idolized landscape that constitutes today’s music business, she is someone to be thankful for.” 

 

Her frequent collaborations with other artists have been both in the studio and on stage – Starr has toured with the likes of Steve Earle, Jason Isbell, Emmylou Harris, Bruce Cockburn, Patty Griffin, Mindy Smith, Glen Phillips, and The Indigo Girls, to name a few, logging hundreds of thousands of touring miles across the country and around the world.

 

Garrison was featured as a new performer at the iconic Newport Folk Festival in 2025.

 

The forthcoming record is called The Gospel Truthwww.garrisonstarr.com

Songwriting Course #3—GARRISON STARR

"The Song You’re Afraid to Write: Breaking through Creative Walls and Turning Difficult Truths into Music"

Every songwriter carries a story that feels too complicated, painful, private or dangerous to put into a song. I know because I have carried those stories myself. In many ways, I think that is why I became a songwriter and artist.

For a long time, there were parts of my experience I did not know how to write about. Some were connected to shame. Others were connected to fear—of being judged, misunderstood or rejected, or of hurting people I loved. Some experiences were simply too close. I knew there was something I needed to say, but I had not yet found the language—or the patience—to say it. When we carry difficult stories, we often build walls around them. Those walls may protect us, but they can also separate us from the most honest parts of our work and ourselves.

Breaking through a wall does not mean knocking it down all at once. It does not mean revealing every detail of your life or turning your pain into something for other people to consume. It begins by becoming curious about why the wall exists, what lies behind it and what you need in order to approach it safely. A song is not a deposition or a complete historical record. The songwriter’s job is to find the emotional truth inside the experience and create a way for the listener to enter. What did it feel like? What did you lose? What did you need? What were you unable to say then? What do you understand now?

In this course, I will help you identify the story that keeps asking for your attention—the song you may have been circling but have not yet allowed yourself to write. We will examine the fear and creative resistance that arise around difficult material, establish healthy boundaries and learn to remain patient with the process. We will work to uncover the emotional center beneath the events. A story about rejection may ultimately be about belonging. A story about religion may be about learning to trust your own voice. Anger may contain a deeper story about grief, love or disappointment.

We will also explore the craft that transforms difficult experiences into powerful songs, using perspective, character, imagery, metaphor, structure and melody to say what cannot always be said plainly. Some of the hardest songs I have written ultimately gave me the greatest sense of freedom. Writing them did not change what happened, but it changed my relationship to it. I was no longer only the person inside the experience. I had become the person telling the story.

By the end of the course, you will have completed—or substantially developed—a song rooted in something meaningful to you, along with tools for creating work that feels honest, intentional and fully your own. Sometimes the thing we are most afraid to say is exactly what someone else needs to hear. Do not be afraid to lean into what makes you different. What initially feels like a weakness may be your greatest strength.

James Keelaghan:

Songwriting Instructor

 

James Keelaghan Bio:

“Canada’s finest songwriter.” —Dave Marsh, Rolling Stone

 

Contemporary folk songs, at their very best, offer an insight into the hardships, attitudes, and resolve of characters and events that shape our day-to-day lives. You can dress these songs up in inspired arrangements and intricate instrumentation but, at their very essence, the archetypal folk song is all about stories. Stories and people. Something such compelling songwriters as Eric Bogle, Si Kahn, Ewan MacColl, and Stan Rogers … all understood and mined so effectively.

 

James Keelaghan, too, burrows into that same rich seam with equal ability and comparable conviction. To quote Eric Bibb, the award-winning American acoustic bluesman, after listening to Keelaghan perform: “[You’re] a joy to hear, just beautiful. Reminded me of the best of the best of another time—Liam Clancy, Tom Paxton, etc.” Less colourful but more succinct, Dave Marsh, the eminent Rolling Stone critic, simply described Keelaghan as “Canada’s finest songwriter.”

 

Truly, throughout a career that now spans almost four decades, the Juno Award and Canadian Folk Music Award winner has created a repertoire of incalculable importance—a unique body of work, either inspired by or drawn from the folk tradition. Ten solo albums flush with enduring lyrical relevance. Take the beautiful but heartbreaking ballad, Jenny Bryce, for example. From any point of view, it’s indistinguishable from the numerous traditional tracks covered on his disc A Few Simple Verses.

 

What’s more, various other originals from the Keelaghan canon must surely enter the domain of traditional folklore. Most notably, "Small Rebellions" (highlighting the 1931 slaughter of peaceful striking miners in Bienfait, SK); "Hillcrest Mine" (a prelude to the worst coal mining disaster in Canadian history); "Kiri’s Piano" (a triumph over adversity amidst the shameful, racist treatment of Japanese-Canadians during WWII); and "Cold Missouri Waters" (a harrowing portrait of the 1949 Mann Gulch Fire in the mountains of Montana).

 

A relentless musical spirit, Keelaghan has surrounded himself with a variety of crackerjack companions down through the years that have largely included the late, innovative, free-spirited fiddler and composer, Oliver Schroer, the exuberant, Chilean, Latino-fusionist guitarist, Oscar Lopez (with whom Keelaghan made two albums under the banner of Compadres), or the ubiquitous, former Spirit of the West anchor and multi-instrumentalist, Hugh MacMillan. Scrupulous audiences from Alberta to Australia bared witness to the sum of these resourceful parts.

 

There have been several mouth-watering collaborations in the writing department, too. Celebrated names in the folk world such as Karrine Polwart, Jez Lowe, Catherine MacLellan, David Francey, Lynn Miles, Dave Gunning, Cara Luft and J.D. Edwards … all contributed to notable Keelaghan releases.

 

“I love co-writing,” he says, “it’s the spark that gets me motivated—the fresh approach to a lyric or a different way of forming a melody for a song is so stimulating. Besides, it’s also a great impetus to finish the damn song.”

 

James Keelaghan grew up in a bungalow in northwest Calgary, AB, with six siblings, an Irish father, and an English mum. His brother Bob would develop into a noteworthy guitarist with the excellent, but now defunct, Agnostic Mountain Gospel Choir. From his father, Jim, James developed a love of history. The family record collection provided further inspiration.

 

Traditional folk LPs by the likes of The Clancy Brothers and Tommy Makem, Séan Ó Riada, and Harry Belafonte certainly caught young Keelaghan’s ear. He still cites Belafonte at Carnegie Hall as a recording that changed his life at age six.

 

Incidentally, Tommy Makem and Liam Clancy would live in Calgary in the mid-‘70s where they recorded a weekly TV show that James and his father routinely attended. “They were stunning performers,” says James. “I can still hear aspects of Tommy Makem’s sound in my voice. He was a fabulous singer, fabulous.”

 

And so, another link in a storied musical chain was forged. James Keelaghan, as they say, is “a man you don’t meet every day.” www.keelaghan.com

Songwriting Course #4—JAMES KEELAGHAN

"Shaping the Spark—Crafting the Story Song"

 

I have always loved storytelling, ever since I was a kid. My ear and my heart were drawn to them, because storytelling is one of the primal human activities.

 

In this class, I want you to leave with a stronger sense of how to hear a story before you write it, and how to trust your instincts once you find it. We’ll work on recognizing the spark that makes a song worth telling, then shaping that spark into a story that fits naturally into five or six verses without losing its heart. This is a class for acoustic musicians, so the focus is on clear, honest writing that feels as good to sing as it does to hear.

 

We’ll have a chance to write in real time. It would be great if you brought a story you’ve always wanted to tell so we can work on it. We’ll spend time on point of view, because the voice you choose can open up the whole song.  We’ll also talk about detail: what to hold onto, what to leave out, and how to let the listener do some of the work. That’s often where a song starts to breathe.

 

I’ll share the little tricks and habits that have helped me over the years, but just as important, I’ll help you work through the places where story songs can get stuck. Maybe you have too much material, or not enough. Maybe the ending isn’t landing, or the middle is wandering. We’ll look at those problems together and find a way through them.

 

My hope is that you walk away with more confidence, a few tools you can use right away, and a better feel for how to turn a story into a song that feels personal, direct, and alive.​

Subscribe to the NESR mailing list

bottom of page